74,926 Free Images of Colored Etching

etchings in the yale center for british artyale center for british arthand-coloredromanticismthomas rowlandsonjames gillrayisaac cruikshankhand colored etchinghand-colored etchingsans-culottes
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
How to Gain a Compleat Victory. and. Say. You. Got. Safe. Out. Of. The. Enemy's. Reach, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, Isaac Cruikshank, 1787
etchings in the yale center for british artisaac cruikshank
A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval), Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
The Renversement, Buffon Says That The Great Grey Goat Is So Rank That After Long Abstinence It Will Court Any Thing, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Opening of Parliament or the Air Gun-Plot or the Infamous attack on His Majesty, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799, James Gillray
etchings in the yale center for british artjames gillray
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service, James Gillray, 1791
etchings in the yale center for british artjames gillray
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2), James Gillray, 1792
etchings in the yale center for british artjames gillray
Lord Howe they run, or the British Tars giving the Carmignols a Dressing on Memorable 1st of June 1794, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
The New Mercury Dedicated to the Free and Independent Electors of Westminster, Pull Devil: Pull Baker, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?, James Gillray, 1791
etchings in the yale center for british artjames gillray
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass,... etc., James Gillray, 1783
etchings in the yale center for british artjames gillray
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar, James Gillray, 1797
etchings in the yale center for british artjames gillray
Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Peep of Day Boy's Preventing an Union by Adding Fire to the Sun. / An Irish Method of Throwing Cold Water on a Subject!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3), Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton), James Gillray, 1797
etchings in the yale center for british artjames gillray
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-., James Gillray, 1791
etchings in the yale center for british artjames gillray
A Right Hon(oura)ble, Alias a Sans Culotte, Alias the Man of the People, Alias the Dissipated Patriot....Alias the Protector turned Begger, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France, James Gillray, 1795
etchings in the yale center for british artjames gillray
How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe., James Gillray, 1792
etchings in the yale center for british artjames gillray
Sans-Culottes, Feeding Europe with the Bread of Liberty, James Gillray, 1793
etchings in the yale center for british artjames gillray
The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4), Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1), James Gillray, 1795
etchings in the yale center for british artjames gillray
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day, James Gillray, 1792
etchings in the yale center for british artjames gillray
The Red Clawed Crab (Cancer erythropus), Mark Catesby, published 1731-1743
the natural history of carolina, florida and the bahama islandsetchings in the national gallery of art (washington, d.c.)
Presentation of the north side at the canal of the Brock House in Potsdam, Andreas Ludwig Krüger, 1779
buildings by andreas ludwig krügerandreas ludwig krüger
Germans eating sour-krout, James Gillray, 1803
hand-colored etching printgermans eating sour-krout
B285 Rembrandt
rembrandt (bartsch 285)jan six
The squire's door, George Morland, 1790
works after george morlandbenjamin duterrau
False Courage, Thomas Rowlandson, 1788
etchings in the yale center for british artromanticism
Windsor Bridge, Joseph Farington, 1792
etchings in the yale center for british artjoseph farington
Britania's Protection, or, Loyalty Triumphant, Thomas Rowlandson, 1800
etchings in the yale center for british artromanticism
The Departure, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
Suitable Restrictions, Thomas Rowlandson, 1789
etchings in the yale center for british artromanticism
Lord Dashalong Bent on Driving, Robert Dighton, 1801
etchings in the yale center for british artrobert dighton
Untitled, Thomas Rowlandson
etchings in the yale center for british artromanticism
The Times, Thomas Rowlandson, circa 1783
etchings in the yale center for british artromanticism
A New Insect, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
Blue and Buf Loyalty, Thomas Rowlandson, 1788
etchings in the yale center for british artromanticism
Brothers of the Whip, Thomas Rowlandson, 1781
etchings in the yale center for british artromanticism
Dr. Syntax Painting a Portrait, Thomas Rowlandson
etchings in the yale center for british artromanticism
The Toper's Mistake, Thomas Rowlandson, 1801
etchings in the yale center for british artromanticism
The Word Eater, Thomas Rowlandson, 1786
etchings in the yale center for british artromanticism
The Volcano of Opposition, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
An Irish Howl, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
A Touch of the Times, Thomas Rowlandson, 1788
etchings in the yale center for british artromanticism
Bardolph Badger'd Or the Portland Hunt, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
Heads: Billingsgatina, Thomas Rowlandson, 1800
etchings in the yale center for british artromanticism
Scotch Fencibles, Richard Newton, 1796
etchings in the yale center for british artrichard newton
Hounds Throwing-Off, James Gillray, 1800
etchings in the yale center for british artjames gillray
Hounds in Finding, James Gillray, 1800
etchings in the yale center for british artjames gillray
Heads: Flora, Thomas Rowlandson, 1800
etchings in the yale center for british artromanticism
A Jack in Office, Robert Dighton, 1793
etchings in the yale center for british artrobert dighton
The Disappointment, or, The King's Evidence treated with the caution he deserves, William Dent, 1791
etchings in the yale center for british artwilliam dent
The Reconciliation, or the Return from Scotland, Thomas Rowlandson, 1793
etchings in the yale center for british artromanticism
Sublime Oratory ______ A Display of it, Johann Heinrich Ramberg, 1788
etchings in the yale center for british artjohann heinrich ramberg
Reform Advised - Reform Begun - Reform Compleat (Complete), Thomas Rowlandson, 1793
etchings in the yale center for british artromanticism
Medical Intelligence - Extraordinary - A Coronation in Pall Mall, Thomas Rowlandson, 1789
etchings in the yale center for british artromanticism
A Peep into the Retreat at Tinnehinch, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
Reformation - or - The Wonderful Effects of a Proclamation!!!, Thomas Rowlandson, 1787
etchings in the yale center for british artromanticism
The Minister's Ass - Vide Gazetteer - November 11, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
The Modern Egbert, or the King of Kings, Thomas Rowlandson, 1789
etchings in the yale center for british artromanticism
Sir Cecil's Budget for Paying the National Debt, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
The Parody, - or Mother Cole and Leader, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
Cockney-Sportsmen marking game, James Gillray, 1800
etchings in the yale center for british artjames gillray
Cockney-Sportsmen Re-charging, James Gillray, 1800
etchings in the yale center for british artjames gillray
Hounds in Full-Cry, James Gillray, 1800
etchings in the yale center for british artjames gillray
Cockney-Sportsmen finding a Hare, James Gillray, 1800
etchings in the yale center for british artjames gillray
Cockney-Sportsmen Shooting-Flying, James Gillray, 1800
etchings in the yale center for british artjames gillray
Coming-In at the Death, James Gillray, 1800
etchings in the yale center for british artjames gillray
A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles, Isaac Robert Cruikshank, 1824
etchings in the yale center for british artisaac robert cruikshank
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show, Thomas Rowlandson, 1789
etchings in the yale center for british artromanticism
A Lying-In Visit, or a Short-Sighted Mistake, Thomas Rowlandson, 1792
etchings in the yale center for british artromanticism
Flying Breakfast, or the Contents of a Night Coach, Thomas Rowlandson, 1792
etchings in the yale center for british artromanticism
Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century, Thomas Rowlandson, 1801
etchings in the yale center for british artromanticism
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics, Thomas Rowlandson, 1789
etchings in the yale center for british artromanticism
Racing [set of four]: 1. Training, James Pollard, 1821
etchings in the yale center for british artjames pollard
Racing [set of four]: 4. Racing, James Pollard, 1821
etchings in the yale center for british artjames pollard
(The) A Grand Battle between the Famous English Cock and Russian Hen!, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain, John William Edy, 1786
etchings in the yale center for british artjohn william edy
King's Place, or a View of (Monsieur Reynard's) Best Friends, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
1001 - 1100 of 74,926 Next page
/ 750